The definition of beauty as "objectified emotion" proposed by the new practical aesthetics of the "Emotion-conveyance" is only a general framework.But on this basis, aesthetics and literature are closely and inextricably linked to the thoughts. This connection is first and foremost in the "evolution of emotion", but is more deeply rooted in the ontological basis for the communication of emotion in self-consciousness. The conveyance of emotion in art is essentially a manifestation of human existence and a metaphysical awareness of one's own existential situation, which originates in the phenomenological structure of human existence, the 'objectification' of productive labour, and is expressed through the artist's sensitivity to the sense of being in the conflict of the times. The trend towards the merging of modern art and philosophy calls on artists to pay attention to the contradictions of thought in reality in order to create first-class artworks that are in keeping with our times.