Porcelain Publishing / CT / Volume 8 / Issue 2 / DOI: 10.47297/wspctWSP2515-470207.20240802
ARTICLE

Boarding Houses and Bedsits in Muriel Spark's Writings

Kaiyue He1
Show Less
1 School of Critical Studies, University of Glasgow (G128QQ), Glasgow, Scotland, United Kingdom
© Invalid date by the Author(s). This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution -Noncommercial 4.0 International License (CC-by the license) ( https://creativecommons.org/licenses/by-nc/4.0/ )
Abstract

Boarding houses and bedsits are crucial to the life and literary career of Muriel Spark. Temporary accommodation has provided her with source material and space to write in. This article examines both Spark's life experience in boarding houses, bedsits and rented rooms and her literary representations of these spaces. Through reading Spark's work alongside Foucault's theory of heterotopia, it investigates the transitory, precarious but also potentially transgressive nature of the boarding environment. This article argues that Spark's fiction reveals Spark's treatment of the estrangement and oppression endured by social outcasts. It also notes that these alternative living spaces are shown to be potentially liberating, as they provide opportunities for vulnerable groups to claim agency, asserting control over their precarious lives.

Keywords
Muriel Spark; Boarding House; Bedsit; Foucault; Heterotopia; Gender; Race; Class
References

[1]Arden, J.(2015).The Seventies According to Muriel Spark: Space and the Novel. unpublished doctoral dissertation,University of Sussex.

[2]Auerbach, N.(1978).Communities of Women: An Idea in Fiction. Cambridge, Massachusetts, and London: Harvard University Press.

[3]Beveridge, W.(1942). 'Social Insurance and Allied Services'. London: His Majesty's Stationery Office.

[4]Cartwright, A.(2020). "Rented Worlds: Bedsits, Boarding Houses and Multiple Occupancy Homes in Postwar London,1945-1963". unpublished doctoral dissertation, University of London.

[5]Collins, A.(2001). '"Listening to the Silence": Sound and Religious Belief in Muriel Spark's A Far Cry from Kensington',Logos:A Journal of Catholic Thought and Culture, vol.4, no.3, pp.143-58.

[6]Cuming, E.(2016).Housing, Class and Gender in Modern British Writing,1880-2012. Cambridge: Cambridge University Press. pp.73-122.

[7]Delany, P.(2018). "Writing in a Bedsitter: Muriel Spark and Doris Lessing" in Living with Strangers: Bedsits and Boarding Houses in Modern English Life, Literature and Film, eds. byChiara Briganti and Kathy Mezei.London: Bloomsbury Academic. pp.63-73.

[8]Derdiger, P.(2012). "'How Shall We Build?': Fiction and Housing in Postwar Britain". unpublished doctoral dissertation, McGill University.

[9]Foucault, M.(1967). "Of Other Spaces: Utopias and Heterotopias",Architecture/Mouvement/Continuité(1984), 'Des Espace Autres', trans. by Jay Miskowiec, pp.1-9.

[10]Gee, E.(2010). "'Where Shall She Live?': Housing the New Working Woman in Late Victorian and Edwardian London" in Living, Leisure and Law: Eight Building Types in England 1800-1914, ed. by Geoff Brandwood. Reading: Spire Books,pp.89-109. https://historicengland.org.uk/content/docs/research/gee-vicsoc-article-pdf/. Accessed 1 December 2023.

[11]Gorak, J.(2014). "Angels, Dancers, Mermaids: The Hidden History of Peckham in Muriel Spark's The Ballad of Peckham Rye",Scottish Literary Review, vol.6, no.1, pp.29-46.

[12]Higgs, M. and Hayward, E.(1910). Where Shall She Live? The Homelessness of the Women Worker: Written for the National Association for Women's Lodging-homes. London: P.S. King & Son.

[13]Introduction of 'The Albert Memorial', on the website of 'The Royal Parks'. https://www.royalparks.org.uk/parks/kensington-gardens/things-to-see-and-do/memorials-fountains-and-statues/the-albert-memorial. Accessed 21March 2023.

[14]Joyce, J.(1993). "The Boarding House" in Dubliners. New York and London: Garland Publishing, pp.219-27.

[15]King, E. and Andrews, M.(2014). 'Second World War Rationing: Creativity and Buying to Last', in The Home Front in Britain: Images, Myths and Forgotten Experiences since 1914, eds. by Maggie Andrews and Janis Lomas. London:Macmillan. pp.185-200.

[16]Kruszewska, Albina I. and Marion M. Coleman,(1947) "The Wanda Theme in Polish Literature and Life",The American Slavic and East European Review, vol.6. no.1/2, pp.19-35.

[17]Mantel, H.(1995).An Experiment in Love. London: Penguin Books. pp.244-5.

[18]Massie, A.(1992). 'On The Bachelors' in Critical Essays on Muriel Spark, ed. by Joseph Hynes. New York: G. K. Hall and Toronto: Maxwell Macmillan. pp.123-30.

[19]Mullholland, T.(2017).British Boarding Houses in Interwar Women's Literature: Alternative Domestic Spaces. London and New York: Routledge.

[20]Mundeja, R.(2020). "Rooms Not Quite Their Own: Two Colonial Itinerants, Katherine Mansfield and Jean Rhys, and Narratives of Roomlessness",Journal of Narrative Theory, vol.50, no.1, pp.87-119.

[21]Page, N.(1990).Muriel Spark. Houndmills and London: Macmillan.

[22]Patterson, S.(1961). 'The Polish Exile Community in Britain',The Polish Review, vol.6, no.3, pp.69-97.

[23]Plesske, N. and Rostek, J.(2013). "Rubble or Resurrection: Contextualising London Literature by Polish Migrants to the UK",The Literary London Journal, vol.10, no.2.

[24]Rich, K.(2016). '"Nowhere's Safe": Ruinous Reconstruction in Muriel Spark's The Girls of Slender Means',ELH, vol.83,no.4, pp.1185-209.

[25]Spark, M.(1995).Loitering with Intent,The Abbess of Crewe,The Bachelors and The Ballad of Peckham Rye in The Novels of Muriel Spark, vol.2. Boston and New York: Houghton Mifflin.

[26]Spark, M.(1992).Curriculum Vitae:A Volume of Autobiography. Manchester: Constable.

[27]Spark, M.(2001). "Bed-sits I Have Known",Every Room Tells a Story: Tales from the Pages of Nest Magazine, ed. by Joseph Holtzman. New York: Distributed Art Publishers, pp.26-7. First published in Nest: A Magazine of Interiors in 1998, issues 2-3.

[28]Spark, M.(2014).Territorial Rights. London: Virago Press.

[29]Spark, M.(1994).The Collected Stories of Muriel Spark.London: Penguin Books.

[30]Spark, M.(2004).The Prime of Miss Jean Brodie, The Girls of Slender Means,The Driver's Seat and The Only Problem.New York, London and Toronto: Everyman's Library.

[31]Stannard, M.(2009).Muriel Spark: The Biography. London: Weidenfeld & Nicolson.

[32]Stannard, M.(2018). "The Crooked Ghost:The Ballad of Peckham Rye and The Idea of the 'Lyrical'".Textual Practice,vol.32, no.9, pp.1529-43.

[33]Stannard, M. "Spark, Dame Muriel Sarah, poet and novelist".Oxford Dictionary of National Biography. January 06,2011. Oxford University Press. https://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-97159.[Accessed 3 July 2024].

[34]Sword, K.(1996). "Identity in Flux: The Polish Community in Britain". Loughborough: SSEES Occasional Papers No.36.

[35]"The Legend of Wanda: Kraków's Virtuous, Virgin Queen",26 April 2023. https://www.inyourpocket.com/krakow/the-legend-of-wanda-the-virgin-queen_73839f. Accessed 26 May 2023.

[36]Thompson, S.(2022). "Spark's Spinsters: Bedsits and Boarding Houses in the Novels of Muriel Spark" in The Crooked Dividend: Essays on Muriel Spark, eds. by Gerard Carruthers and Helen Stoddart. Glasgow: Scottish Literature International, pp.44-62.

[37]Ulin, Julieann V.(2012-3). "Fluid Boarders and Naughty Girls: Music, Domesticity, and Nation in Joyce's Boarding Houses",James Joyce Quarterly, vol.50, no.1-2, pp.385-411.

[38]Watt, Donald C.(1989). "Britain and the Historiography of the Yalta Conference and the Cold War",Diplomatic History, vol.13, no.1, pp.67-98.

Share
Back to top
Critical Theory, Electronic ISSN: 2753-5193 Print ISSN: 2515-4702, Published by Porcelain Publishing